
Two sides of African and Afro-American art at the Stephen Friedman Gallery
As you entered, you faced a huge rocking structure with strands of barbed wire, a structure full of meaning – the rocking chair of Melvin Edwards’ grandmother Coco, wire fencing used in farm enclosures to keep animals apart, barbed wire used on top of prison compound walls, in South Africa, a symbol of the segregation […]
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